The Designer’s Purpose

An Excerpt from “Pencil to Mouse, Forty Years of Graphic Design” by Kerry Grady

A good design is always the simplest possible solution. An experienced designer sees every detail, even the things that are missing. The best designers are selfless and relentless in their pursuit to create work that is timeless. To them, good design is about quality, it’s about beauty, it’s about being human, it’s about utility.

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Kerry Grady
The Japanese Tradition

An Excerpt from “Pencil to Mouse, Forty Years of Graphic Design” by Kerry Grady

The idea of simplicity appears in many cultures, especially the Japanese traditional culture of Zen philosophy. Japanese manipulation of the Zen culture into aesthetic and design elements for architecture has influenced Western Society, especially in America since the mid 18th century.

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Kerry Grady
Minimalism

An Excerpt from “Pencil to Mouse, Forty Years of Graphic Design” by Kerry Grady

The concept of minimalist design is to strip everything down to its essential quality and achieve simplicity. The idea is not completely without ornamentation, but that all parts, details, and structural components are considered as reduced to a stage where no one can remove anything further to improve the design.

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Kerry Grady
The Return to Simple

An Excerpt from “Pencil to Mouse, Forty Years of Graphic Design” by Kerry Grady

There is now a growing realization that simplification is often the best way to filter the message from a sea of trivial “noise”, and that graphic designers are evolving into information architects, creating tools that help users navigate the currents of the digital age.

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Kerry Grady
Modernism

An Excerpt from “Pencil to Mouse, Forty Years of Graphic Design” by Kerry Grady

Modernism is both a philosophical movement and an art movement that, along with cultural trends and changes, arose from wide-scale and far-reaching transformations in Western society during the late 19th and early 20th centuries.

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Kerry Grady
Chicago: The New Bauhaus

An Excerpt from “Pencil to Mouse, Forty Years of Graphic Design” by Kerry Grady

The influence of the Bauhaus on design education was significant. One of the main objectives of the Bauhaus was to unify art, craft, and technology, and this approach was incorporated into the curriculum of the Bauhaus.

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Kerry Grady
The International Style

An Excerpt from “Pencil to Mouse, Forty Years of Graphic Design” by Kerry Grady

After Germany’s defeat in World War I and the establishment of the Weimar Republic, a renewed liberal spirit allowed an upsurge of radical experimentation in all the arts, which had been suppressed by the old regime.

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Kerry Grady
My Love Affair with “Less is More”

An Excerpt from “Pencil to Mouse, Forty Years of Graphic Design” by Kerry Grady

The Bauhaus was founded in Weimar, Germany. It was a citadel of the new. It gave birth to sleek chairs with tubular steel legs that gave them the look of a bicycle’s handlebars.

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Kerry Grady
Design and the Bottom Line

An Excerpt from “Pencil to Mouse, Forty Years of Graphic Design” by Kerry Grady

In 1998, a young, ambitious executive took over a ninety-year old Chicago bank. His plan was to merge his bank with another ninety-year old bank of equal size.

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Kerry Grady
A Word About Branding

An Excerpt from “Pencil to Mouse, Forty Years of Graphic Design” by Kerry Grady

Designers don’t create brands, they express them. Meaningful brands are created by people who lead organizations and who understand that every touch point with their customer is important.

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Kerry Grady
Money Can't Buy You Love

An Excerpt from “Pencil to Mouse, Forty Years of Graphic Design” by Kerry Grady

The road of design is covered with bad ideas, poorly executed and heavily financed by misdirected corporations that have money to burn.

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Kerry Grady
Form and Content

An Excerpt from “Pencil to Mouse, Forty Years of Graphic Design” by Kerry Grady

Everything posses form of some kind, good or bad, pleasing or not; even decoration is a kind of form that has lost its way. There is no such thing as formlessness.

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Kerry Grady
Design and Creativity

An Excerpt from “Pencil to Mouse, Forty Years of Graphic Design” by Kerry Grady

A wise man once said “Just because you’re standing in a garage, it doesn’t mean that you’re a car.” Along that line, I’d say that just because you call yourself a designer, it doesn’t make you one. And, just because you’re not a designer, it doesn’t mean you’re not creative.

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Kerry Grady
Graphic Design. What is it?

An Excerpt from “Pencil to Mouse, Forty Years of Graphic Design” by Kerry Grady

Words such as design, form, beauty, aesthetic, artistic, creative and graphic are hard to define. Each word has more than one meaning and requires interpretation. Design is both a verb and a noun. It is the beginning as well as the end, the process and product of imagination.

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Kerry Grady
I'm Not an Artist

An Excerpt from “Pencil to Mouse, Forty Years of Graphic Design” by Kerry Grady

There are different kinds of designers, and the type that I aspire to be is one of the creative problem solving kind. I do artistic things, but I am not an artist. I connect and communicate.I am happy to work within the constraints of time and money. I follow a disciplined approach, working modestly, confidently and diligently on behalf of my clients

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Kerry Grady
The Swiss Influence

An Excerpt from “Pencil to Mouse, Forty Years of Graphic Design” by Kerry Grady

My approach to graphic design is influenced most by the Swiss Style designers Emil Ruder, Armin Hofmann, and Josef Müller-Brockmann. The Swiss Style, also known as the International Typographic Style, was developed in Switzerland in the 1950s.

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Kerry Grady
And the Winner Is...

An Excerpt from “Pencil to Mouse, Forty Years of Graphic Design” by Kerry Grady

Award-winning design isn’t always the best design. As a young designer working for Container Corporation of America, I was hired to contribute to the company’s design legacy.

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Kerry Grady
Designing for Good / Designing for (Very) Bad

An Excerpt from “Pencil to Mouse, Forty Years of Graphic Design” by Kerry Grady

Complicity of the design profession with big business has contributed to the expansion and globalization of commercial culture, leading many designers to question the ethics of their work. For too long design has been used to induce the devoted world to buy more products than it needs while developing countries lack the basic necessities of life.

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Kerry Grady